19th April 2014 18:18
photoset ♥ 854 notes
► reblogged from stinson (originally stinson)
15th April 2014 12:31
photoset ♥ 1,202 notes
► reblogged from cinyma (originally cinyma)

We accept the reality of the world with which we are presented.

The Truman Show (1998), Peter Weir.
14th April 2014 13:15
photo ♥ 40,477 notes
► reblogged from bowiejob (originally 420elijahwood)
14th April 2014 13:11
photoset ♥ 63,712 notes
► reblogged from mrgolightly (originally rustyryan11)


Brad Pitt in 1994

14th April 2014 13:10
photoset ♥ 3,671 notes
► reblogged from rickcohle (originally mashamorevna)

"All memory of the brilliance of the young Tenenbaums had been erased by two decades of betrayal, failure and disaster." - The Royal Tenenbaums (2001)

14th April 2014 13:08
photoset ♥ 6,652 notes
► reblogged from macadeemac (originally jessepnkman)

Wes Anderson and the cast of The Royal Tenenbaums, behind the scenes

14th April 2014 13:07
quote ♥ 6,359 notes
► reblogged from undersilentstars (originally quotes-shape-us)
One thing I’ve learned is it’s better to be addicted to things than people. You get hooked on a thing and if someone takes it from you, you can find another source. Only people can really hurt you. Only people can push you out into the cold permanently.
A.M. Riley, Immortality is the Suck (via exoticwild)
14th April 2014 13:06
photo ♥ 52,564 notes
► reblogged from undersilentstars (originally fohk)


"I wish I had done everything on earth with you"

The Great Gatsby (2013)
Baz Luhrmann

14th April 2014 13:04
photoset ♥ 5,813 notes
► reblogged from gaydtr (originally sun0fagun)


The Psychology of Cinematography: 

Wes Anderson, David Fincher, Darren Aronofsky, Quentin Tarantino & Stanley Kubrick

These are all shots where the emphasis is on the entirety of the shot as a whole and provides a much more distant kind of view, allowing the goings on to register as it is instead of having a specific cinematic mood attached. 

I’ve never heard anyone say not to try for symmetry in your shots, but I was told to be aware of the psychological effect it has on audiences. This little reel is a prime example of how off-putting symmetry can be in motion picture photography. Even in the ones in which there is no immediate danger or horror present. You feel like there’s something wrong in every one of these shots. You can’t put your finger on it, but you know things aren’t quite right. The psychology of symmetry is used whenever a filmmaker wants to put an audience at unease. Which, as you can see, was often.

This concept can be applied to many other concepts and styles of cinematography such as  Look down, look up, Hiphop cuts, mood lighting etc. 

These are some of my favorite examples cinematography put in a gif set. 

14th April 2014 13:03
photoset ♥ 28,496 notes
► reblogged from malcolmmcdowellll (originally theoceandownthelane)
14th April 2014 13:03
photoset ♥ 77,602 notes
► reblogged from heathledgers (originally lovefortelevision)


14th April 2014 13:00
text ♥ 219,632 notes
► reblogged from captainjackhotness (originally disheartens)


I hope you fall in love with a man with good music taste and a jawline stronger than your wifi connection

14th April 2014 12:56
photoset ♥ 76,187 notes
► reblogged from well-of-eternity (originally geekygeekweek)
14th April 2014 12:55
photoset ♥ 157,737 notes
► reblogged from captainjackhotness (originally thatnutcray)




14th April 2014 12:52
photoset ♥ 4,838 notes
► reblogged from coffeeandcoyotes (originally lastisle)

w h y   d i d   h a n n i b a l   n o t   j u s t   k i l l  y o u ?

                       because he wants to be my  f r i e n d